Angélica Oteiza S.                2023    




Angélica Oteiza is a Mexican designer based in Cambridge, Ma.

She is interested in the multiscalar interacions between natural and human systems, with a focus on climate adaptation and resiliency strategies.

Her practice explores design as research method in a variety of mediums, ranging from writing and exhibition design to landscape architecture and planning. 

She Holds a Master in Landscape Architecture (2023) from Harvard’s Graduate School of Design, and a Bachelor’s in Architecture (2017) from Tecnológico de Monterrey. She has practiced across the private and public sectors, employing the power of design for innovation projects, mostly on multidisciplinary teams.


Selected Work:


01. Design

       1.1 Recharge +
1.2 Unveiled City 
1.3 Negotiating Resiliency
1.4 Wastescapes

02. Exhibition & Experience  

        2.1 Yes, But Also...
        2.2 Manchamanteles
        2.3 Participatory Design

03. Research 

        3.1 The Bricks of Harvard
        3.2 MCI Fellowship (Under Construction)
        3.3 Pennywhite Fund (Under Construction)
     

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Manchamanteles






Manchamanteles


Harvard Graduate School of Design
Department of Landscape Architecture

Spring 2022

Collaboration:
Rolando Girodengo

Advised by:
Belinda Tato
The tablecloth as Medium of Participation and Pedagogy

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Mole is an important dish in Mexican cuisine, it’s name comes from the Nahuatl word for sauce. There are many varieties and traditions, across geographies and cultures. Because of the complexity of the dish and its ingredients as well as the intensive labor required for it’s preparation, this is a meal that is often shared. Made in big batches, to share with family and friends.

One very popular recipe for mole is the “Manchamanteles” which translates to tablecloth-stainer, a rich and deep-brown sauce famous for staining clothes and mantles leaving traces of a delicious moment for posterity.

The project draws it’s name from the Manchamanteles mole, and seeks to create a space, literally a canvas, for the rich conversations often had when sharing a meal.  

We belive that lifechanging conversations, those that open the doors into other universes often happen over the confort of a shared meal; talkin about the similitudes and differeces among our cultures and preferences. These designs seek to provide a framework for rich conversations that may build many much-needed bridges among people, at a time of polarization.

The project cosists of a series of tableclothes, embroided with graphical frameworks for chefs and diners to interact with. The series ranges from participatory to pedagogical tools, these can also become pieces for activations, polls and even games. The tablecloth as medium for participation.

After the party is over, the stained tablecloth acts as witness. Almost an archival note of what was learned tonight.

The four prototypes:
1. Five Circles
2. Matrix (X axis, Y axis)
3. Genealogy chart
4. Constellations